MAGIC TRICK – ‘OTHER MAN’S BLUES’ OUT 8/26!

Empty Cellar Records is proud to release the newest album by Magic Trick, Other Man’s Blues. This offering from the band finds songwriter, Tim Cohen at a crossroads. It was written and recorded during a year that split his time between two lives, in two worlds. The newer of these worlds was on a horse ranch in the northern Arizona desert where he and his partner spent their first year with their newborn daughter. The other was the music world. The latter took place on the road, on tour with Magic Trick or with the Fresh & Onlys. And in the case of Other Man’s Blues, it took place for one week at Phil Manley’s Lucky Cat Studios in San Francisco.

Tim arrived at the studio with a color-coded composition book of songs he’d been writing while bouncing to and fro. This book would have to suffice in lieu of rehearsal time with the 13 other musicians who appear on the tracks. About half of the tracks feature James Kim on drums, the other half James Barone (Beach House). Alicia Van Heuvel (Aislers Set) and Paul Garcia split time on bass. Joel Robinow (Once and Future Band / Danny James) contributes on keys. Emmett Kelly (The Cairo Gang / The Muggers / The Double) provides a couple stunning guitar solos. There are omnipresent vocal harmonies from Alicia, Noelle Cahill and Anna Hillburg, the latter of whom also plays some trumpet. San Francisco standbys Dylan EdrichTom Heyman, and Marc Capelle all contribute. It was a loose, largely improvised affair.

The album’s roster is less the product of grand ambition, and more the result of an open-door policy at the studio. These sessions also served as an opportunity for Tim to hang out with friends while in town. He’d see who was around, they’d swing by. Allegedly tequila was centrally involved. A “hit the joint and come up with a bit” approach. “Here’s a chord chart. Go.” And guest appearances are more than just a little icing on top here. It’s the principle that warranted giving this project a band name five years ago: when Tim’s non-onlys oeuvre stopped being credited to Tim Cohen and instead was attributed to Magic Trick. Especially in the case of Other Man’s Blues, the players on the album define what shapes these songs take.

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And it’s a wide variety of shapes you’ll find on this album. Take this less as a conscious display of versatility (although it does demonstrate Cohen & Co.’s ability to shape-shift) and more as a result of the freewheeling, haphazard recording environment described above. A ghostly choir of female voices open the album like a seance. And the spirit they conjure proceeds to flit about over the course of the ensuing ten tracks, animating various stylistic forms, from the baroque pop of “Forest of Kates” to the icy post-punk of “I Held the Ring.” There’s the air-tight R&B groove of “Startling Chimes,” the krauty “Purest Thing,” a jammy side-to-side trot that moves “First Thought” along, taking a detour into country before culminating in a glorious Grateful Dead indebted coda. But throughout, it’s Tim’s lyrics that are pushed to the front of the mix. This album is a display of solid songwriting – collectively fleshed out, but from Tim’s composition book, and with Tim’s lyrics about family and about himself. These songs are the sound of his friends helping him suss through the conflicts of his new dual existence as father and musician, between old self and new.

Magic Trick’s 2013 offering, River of Souls, opens with Cohen asking, “Should we live from the mirrors other side?” Maybe, what you have here on Other Man’s Bluesis an attempt to do just that. You can hear that his scope is widening, is being forced to widen by his circumstance. These songs are full of empathy. They reckon with notions of sacrifice and devotion, acknowledge the “winds of desire” and admit that “musings come from below” like a force of nature. Our protagonist is mid-transformation or maybe even pre-transformation. He is able to “regard his gruesome self” only because he is becoming a new man. Both sides are present. Which is the Other Man? Who is Tim Cohen? What is this magic he is trying pull off? Is it a trick? Or true sorcery? Either way, he must evolve.

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Track Listing:

1. More
2. Forest of Kates
3. I Held the Ring
4. Scorpio
5. First Thought
6. Mockingbird
7. Eternal Summer
8. Purest Thing
9. Startling Chimes
10. Oysters

Magic Trick Dates
8/3 – San Francisco, CA – Rickshaw Stop w/ The Cairo Gang (Tim Cohen Solo)
8/18 – San Francisco, CA – The Chapel (Record Release Show)



SONNY SMITH – ‘SEES ALL KNOWS ALL’ OUT NOW!

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Sonny Smith (Sonny & the Sunsets) has written a monologue, an hour long story, called SEES ALL KNOWS ALL. A tale of LOVE, SEX, DRUGS, SPACESHIPS, ROMANCE, HALLUCINATIONS, BITTER TEARS and CHAMPAGNE. A story set in a fast-disappearing San Francisco. A bohemian quarter-life crisis (in six parts) told by a man who never had anything to gamble with, but his life. As Sonny put it “Sort of a Spalding Gray typa thing if Spalding Gray had a band and wasn’t himself but was me.”

Sonny premiered SEES ALL KNOWS ALL live with a band at The Lost Church in San Francisco. The run lasted five nights and each night featured a different musical guest: Kelley Stoltz, Tim Cohen (Fresh & Onlys / Magic Trick), Kyle Field (Little Wings), Alexi Glickman (Sandy’s), & Sun Foot (Chris Johanson). It was very much a San Francisco thing. A nod, perhaps, to both Eggers and Ferlinghetti. Indeed, excerpts from this story have been published in San Francisco’s reknown literature, arts, and culture magazine, The Believer.

We made a little video trailer for the LP and you can check that out along with an album chapter all about an Ayahuaska trip to nowhere at FLOOD MAGAZINE.

Narrated by Smith, this audio recording of SEES ALL KNOWS ALL features sounds made by a talented group of local musicians including Kelley Stoltz, Shayde Sartin, Rusty Miller, James Finch, Germán Carracosca, Jordi Llobet, and Sonny himself. The result is a Joe Frank meets Michael Hurley meets R. Crumb production: a dry, witty, autobiographical look at the meaning(s) of life from an underdog with deep nostalgia for America’s lost folk culture and a kinship with the marginalized. Perhaps you saw one of the live performances; or maybe you are familiar with Sonny’s stories via the tiny comic books stashed in his early vinyl releases… but you probably have never heard him try to pronounce “Panaderia”. So, light a fire/joint, get comfortable and lose yourself in a man’s attempt to find himself; or at least, exert a shred of control over his own destiny.

SEES ALL KNOWS ALL is limited to 300 blue powder (the stuff of the universe) splattered LPs via Empty Cellar Records. Each LP is packaged in a deluxe old-style linen jacket and features artwork by Bay Area greats: Chris Johanson, Shayde Sartin, and Shannon Shaw (Shannon & The Clams).

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